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Edouard Manet
French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.

 

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Edouard Manet Grass lunch oil painting

Painting ID::  56947

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Edouard Manet
Grass lunch
mk250 Year in 1863. Oil on canvas, 213.4 x 269.2 cm. Baliaosai Museum.
   
   
     

 

 

Edouard Manet Olympia oil painting

Painting ID::  56948

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Edouard Manet
Olympia
mk250 Year in 1863. Oil on canvas, 129.5 x 190.4 cm.
   
   
     

 

 

Edouard Manet Welfare - Bergeron Seoul Bar oil painting

Painting ID::  56960

X 
 

Edouard Manet
Welfare - Bergeron Seoul Bar
mk250 Year in 1882, Oil on canvas. London Courtauld Gallery.
   
   
     

 

 

Edouard Manet Music in the Tuileries oil painting

Painting ID::  59732

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Edouard Manet
Music in the Tuileries
Music in the Tuileries, 1862
   
   
     

 

 

Edouard Manet The Luncheon on the Grass oil painting

Painting ID::  59733

X 
 

Edouard Manet
The Luncheon on the Grass
The Luncheon on the Grass (Le d??jeuner sur l'herbe), 1863
   
   
     

 

 

Edouard Manet Olympia oil painting

Painting ID::  59734

X 
 

Edouard Manet
Olympia
Olympia, 1863
   
   
     

 

 

Edouard Manet Berthe Morisot oil painting

Painting ID::  59735

X 
 

Edouard Manet
Berthe Morisot
Berthe Morisot, 1872
   
   
     

 

 

Edouard Manet Self portrait with palette oil painting

Painting ID::  59737

X 
 

Edouard Manet
Self portrait with palette
Self-portrait with palette, 1879
   
   
     

 

 

Edouard Manet The Cafe Concert oil painting

Painting ID::  59738

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Edouard Manet
The Cafe Concert
The Cafe Concert, 1878
   
   
     

 

 

Edouard Manet Racing at Longchamp, oil painting

Painting ID::  59739

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Edouard Manet
Racing at Longchamp,
Racing at Longchamp, 1864.
   
   
     

 

 

Edouard Manet The Execution of Emperor Maximilian, oil painting

Painting ID::  59741

X 
 

Edouard Manet
The Execution of Emperor Maximilian,
The Execution of Emperor Maximilian, 1867. Museum of Fine Arts, Boston. The least finished of three large canvases devoted to the execution.
   
   
     

 

 

Edouard Manet nana oil painting

Painting ID::  64378

X 
 

Edouard Manet
nana
1877 hamburg, kunsthalle
   
   
     

 

 

Edouard Manet nana oil painting

Painting ID::  66309

X 
 

Edouard Manet
nana
mk289 1877 oil on canvas hamburger kunsthalle
   
   
     

 

 

Edouard Manet kejsar maximilans arkebusering oil painting

Painting ID::  67921

X 
 

Edouard Manet
kejsar maximilans arkebusering
1867 se
   
   
     

 

 

Edouard Manet portratt av irma brunner oil painting

Painting ID::  67922

X 
 

Edouard Manet
portratt av irma brunner
se
   
   
     

 

 

Edouard Manet modellen pa oil painting

Painting ID::  67923

X 
 

Edouard Manet
modellen pa
1881 se
   
   
     

 

 

Edouard Manet Stilleben, Weibe Pfingstrosen oil painting

Painting ID::  68420

X 
 

Edouard Manet
Stilleben, Weibe Pfingstrosen
1864(1864) Oil on canvas
   
   
     

 

 

Edouard Manet paronskalaren oil painting

Painting ID::  69108

X 
 

Edouard Manet
paronskalaren
1868 olja på duk 85x71 se
   
   
     

 

 

Edouard Manet Nana oil painting

Painting ID::  70703

X 
 

Edouard Manet
Nana
Medium Oil on canvas Dimensions Expression error: Missing operand for *154 ?? 115 cm
   
   
     

 

 

Edouard Manet dam med palskrage oil painting

Painting ID::  70828

X 
 

Edouard Manet
dam med palskrage
pastell pa duk 45x55cm 1880 se
   
   
     

 

       Prev    11  12  13  14  15  16  17  18  19  20     Next

 

Edouard Manet
French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.